background and foreground造句

• There is complex interplay between background and foreground, detail and blurring.
• Some levels allow Max to traverse background and foreground layers of the stage.
• Vermeer frequently placed diffused spots of light on objects in the background and foreground.
• The result is a positive print of the combined background and foreground ( fig . 8 ).
• The method is useful in images with backgrounds and foregrounds that are both bright or both dark.
• Background and foreground in her paintings keep shifting, which is a good way to think about history.
• An interesting variation is to have the background and foreground move in " opposite " directions.
• In this picture Gleizes merges the sitter with the environment, blurring the distinction between background and foreground.
• So too, both pictures merge the model with the environment, blurring the distinction between background and foreground.
• Weston uses both a simple background and foreground in order to draw attention to the main image ( Charis ).
• If the background and foreground are too far away, it cannot be good . " ) were not interesting.
• As the low level of light blend the colors of the images, background and foreground intermixes in the viewer s perception.
• It must avoid " illusionism, " meaning not just subject matter, but also any discernible break between background and foreground.
• The new version of " The Beevnicks " involved more background and foreground detail, but still largely copied and pasted drawings.
• According to Soar, Eugenides did " both background and foreground in all the necessary detail ", seamlessly shifting from past to present.
• Audrey Drake of IGN noted that the 3D effect made it difficult to distinguish certain platforms between background and foreground, a complaint shared by Douglas.
• Ben Johnson describes the paintings thus : " Pattern and Decoration did not distinguish between background and foreground, nor did it emphasize specific aspects of the composition.
• Morris and his assistant John Henry Dearle chose a vibrant colour scheme and added background and foreground details including the flowering plants characteristic of Dearle's tapestry work.
• The piece itself it somewhat frantic and wild, with the strings and brass sections switching between background and foreground in the composition, and rhythmic fills from the percussion.
• He also wrote, " At the highest setting, the background and foreground scroll separately, delivering a sense of depth you don't see in many graphic adventures.